Revered as one of the greatest "cult" films of all time I recently saw it and most of my expectations were met. Steven Railsback plays a character named Cameron. A former Vietnam veteran and fugitive on the lam. At the begining of the film we see him being pursued by the police after he is spotted in a restaurant. Cameron while being chased accidentally stumbles onto a movie set where a World War I epic is being shot. After almost being killed by a stunt man on a bridge by a car Cameron picks up an object and throws it at the windshield of the vehicle causing it to swerve off the bridge and fall into a nearby river. A helicopter suddenly descends in front of Cameron. Inside it are the filmcrew documenting the bridge scene with it's director Eli Cross ( Peter O'Toole) starring at Cameron and what has happened. Cameron flees from the scene as the helicopter soars away. Eventually Eli Cross meets up with Cameron and convinces him to replace the stunt man or Cross will turn him into the police. Cameron has little choice. Thus begins the main characters harrowing journey.The Stunt Man is a complex and multilayered film. It requires multiple viewings in order to catch all of the subtleties and nuances. As the film progresses we see Cameron placed into various stunt scenes, each one more dangerous than the last. Is Eli Cross trying to kill him? The film is a fascinating battle of psychological mind games. Cameron's perception of reality becomes skewed with the fantasy world of filmmaking as he becomes less able to distinguish until the final frame. We the viewer are also constantly confused as the film makes many unpredictable twists and turns with it's convoluted plot. Peter O'Toole is perfect as the flamboyant, megalomanical filmmaker. No one else could to the role justice and bring that much class to the part. Barbara Hershey is also good as the lead actress of Eli Cross' film who becomes romantically involved with Cameron. I have many favorite scenes from the movie. Especially the crash course in stunt work Cameron is given by the lead stunt man played by Chuck Bail, a real life former stunt man. Director Rush has seamlessly balanced pathos with humor to create a unique film of epic proportions. It is a film that the viewer must discipline oneself in order to watch.....but what a payoff.

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我是谁？我来自哪里，要到哪去？我究竟在寻找什么？在追寻这些疑问答案的背后，就是人文精神的根源。人的本性究竟如何，又在以后的年轮中如何变化？那些风，那些雨，就在我们的心里；那些爱，那些幻觉与梦，就在我们的心里。地平线升起来了。我们的答案，才刚刚开始。这是一只会飞的猪，他的名字叫保哥罗素。他肥头大耳，但却是亚德里亚海上人人仰慕的空中英雄。这是一个动荡的时代，一战刚刚结束，而空贼横行，但就是这样一个飞行的年代，在宫琦俊的笔下充满了温情：金色的阳光，碧蓝的大海，鲜红的飞机划空而过，正如片中的孩子们惊喜地叫道那样，你就知道“那是保哥！”他们的英雄来了。人类的第一次世界大战，交战的双方理应是“英、法、俄”的协约国和“德、奥匈、意大利”的同盟国。但正是这个意大利，在阵前临阵倒戈，为很多人所不齿。但战争就是战争，作为普通人，在战争如同不由自主的棋子，无所谓对错，只是为了各自不同的立场和自己的国家而战，被杀或杀人，如此而已。保哥罗素就是其中的一员，眼睁睁地看自己的同伴一个个

电影特技替身

这部电影不仅具有魔法和奇幻元素，还蕴含着对人性的深刻洞察和对梦想的追求。

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整部电影中，小黑颈鹤的形象不仅仅是一个受伤的生物，更是一个象征，代表了生命的力量和希望。

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生命的流逝如同一位母亲渐渐离世的过程，让人不禁感叹岁月的无情。