In 1966, Broadway songwriter Stephen Sondheim was offered the opportunity to write a one-hour musical for television to be broadcast on the ABC Stage 67 series. He turned to his collaborator, James Goldman, with whom he was developing a musical that would emerge later as Follies, and they adapted a James Collier short story about a poet who abandons the world to live in a New York department store. There, to his surprise, he encounters a society of people who have done the same thing over the years, among them a young woman who went to sleep in the store as a child. They fall in love, but are threatened by the store's other denizens, who fear their secret will get out. Anthony Perkins played the poet and Charmian Carr (who had been Liesl von Trapp in the previous year's film version of The Sound of Music) was the young woman. Sondheim wrote four songs and much underscoring. The songs "I'm Here" (aka "If You Can Find Me, I'm Here"), "I Remember," "When?," and "Take Me to the World" earned recordings on Sondheim albums later, but the soundtrack to the program was not released legitimately. That inspired theater buffs, who dubbed it from the videotape and pressed it up on a bootleg LP, also trading it as a tape between them. The tape runs about 45 minutes (the commercials having been deleted), and it gives a good sense of the show, with Perkins and Carr coming off well as the doomed lovers. It is not a major Sondheim work, by any means, and the songs can be found elsewhere, but for the Sondheim cult it is a treasured (and hard-to-find) rarity. ~ William Ruhlmann, All Music Guide

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说句实话，我刚开始蛮喜欢看这部剧，可是现在我真的弃剧了，就像当初看清平乐一样，我真的不明白，三对主人公到底在想什么？首先先来说下童谣演的这个角色，这个角色实际上前期挺好的，又飒又力，可是后期自从他进入太太团的时候，我就感觉他好像有了一点问题，就比如说他前面进太太团是为了帮家里面撑产业，可明明已经产业很好了，他为什么还不肯放弃呢？为什么还要继续呆这个圈子呢？再来说下江疏影演的这个角色，这个角色其实上刚开始也挺好的，但是自从他让那位妇人买珠宝的时候，我就觉得他有些问题了，

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电影该剧以一个女性的人生故事为背景，讲述了她在等待初恋男友十年无果后，最终迎来了男友和别人的婚礼。这场婚礼让她失去了对爱情的信心，但她的人生并没有结束。在张扬和高富帅男神的陪伴下，她走出黑暗时光，重新找到了生活的乐趣。这部电影向观众传达了一个信息：爱情并不是一场赌博，而是要用勇气和信念去追求真正爱的人，不留遗憾地勇敢去爱。

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该剧关注了当今社会面临的毒品问题，通过生动的描绘展现了毒品的危害和警方为打击毒品犯罪所付出的努力。

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仅就第一季的观感：最喜欢的是老爷、老奶奶，三小姐，卡森和安娜，对贝茨这种隐忍型角色无感甚至有点烦。值得一提的是，作者似乎没打算在前期把二小姐伊迪丝刻画成一个讨人喜欢的角色，但看下来完全不会讨厌她，从小作为老二不被父母关注、不被父母抱有任何期待，好东西都是老大的，自己喜欢的人也要被老大抢(老大还总表现得那么刻薄）的感受换成谁能受得了，个人对她的境遇抱有深深的叹息和同情。相反，对于大多数人最喜欢的女角色——我们的玛丽小姐，仅就第一季而言(再次强调），个人完全找不到她身上任