Nearly 20 years after it opened on Broadway, the E.Y. Harburg/Fred Saidy musical Finian's Rainbow was committed to film. Set in the mythical southern state of Missitucky, the story involves the whimsical Irishman Finian (Fred Astaire) and his daughter Sharon (Petula Clark) arriving in the community carrying a crock of gold, which they've stolen in the Auld Sod from Ogg the Leprechaun (Tommy Steele). Finian believes that if he buries the crock on American soil, it will grow into an even larger treasure--just as Fort Knox did (or so he thinks). Sharon falls in love with sharecropper Woody Mahoney (Don Francks), who like everyone else in the community is being threatened by the perfidy of Senator Rawkins (Keenan Wynn). While Finian haggles over three wishes with the tricky Ogg, Sharon runs afoul of the racially bigoted Rawkins. She wishes that Rawkins would turn black so that he could walk in someone else's shoes for a change--and this, thanks to Ogg, is exactly what happens. To rescue Sharon and Woody from being burned as witches, Ogg grants a last wish, which turns him into a human being; this is not an altogether bad thing, for Ogg has fallen in love with mysterious mountain gal Susan the Silent (Barbara Hancock). The racial tolerance subtext of Finian's Rainbow, considered radical in 1948, seemed rather antiquated in 1969, though it did allow for a hilarious scene in which a white associate of Judge Rawkins attempts to instruct young black botanist Al Freeman Jr. on the proper way to "act Negro". As Finian, Fred Astaire requested that the role be expanded to allow him to dance a little (as written, the character barely even sings). Most of the original score remains intact, including the hit song "How Are Things in Glocca Morra?" Francis Ford Coppola seemed a curious choice to direct a musical, and indeed the production was a troubled one due to Coppola's inexperience in the genre. ~ Hal Erickson, All Movie Guide
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看电影那天,我和朋友们正好聊到一个问题:漂亮的人是否比普通人有更多运气?我相信有,漂亮天生是一种资源;但我的朋友说不,漂亮女人如果不够聪明,也不会活得太好。晚上去看《无价之宝》,虽然故事主角是两个落魄的男人和一个小女孩,但电影里的漂亮女人引起了我的注意。王曼丽(袁晓旭饰),一个深陷困境的单身母亲——没有经济来源,生下一个非婚生的孩子,孩子父亲欠了一屁股债逃之夭夭,她成了被追债的人,每天在破败的家中对着不断来讨债的人,早已麻木。一个叫石振邦的男人(张译饰)踹破她家门,
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昨晚,平遥电影展有两部新片“炸场”了。一部是《浪漫的断章》,因为拍得太过莫名和另类,大批观众怒打一星,在放映厅内外展开了一场线下激辩;还有一部是宁浩新片《红毯先生》,典型的宁氏荒诞喜闹剧、黑色幽默,故事主角是刘德华演的天王巨星,他为了能入围电影节而接了一个演农民的剧本,自降身段以“体验生活”。这两部电影都频频“爆梗”,现场笑声此起彼伏,虽然映后它们收获了截然不同的评价。电影与现实,电影节和观众,在这个夜晚里火花四溅地碰撞着。疫情期间宁浩来过平遥一次,带着他和贾樟柯主
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小时候看过这部剧,印象非常深刻,最近又把他掏了出来看了一遍,感动呈指数级增加,热泪盈眶,同时也想到了很多。大民的幸福生活斯是陋室,惟吾幸福。这间七平米的陋室,却是最温馨的最幸福的。不禁想到了自己,我出生在年的农村,一间瓦房一家人一起住了很多年。直到前几年,那间破旧不堪的瓦房子才被拆了,建起了新房子,闪闪的琉璃瓦盖,水磨的地板,白净的瓷砖墙,铝合金的门框窗户,房子是大了,但是我却时时想起那间老房子,老房子里的温馨的时光。椽子还是木头的,顶瓦还是灰色的,泛黄的石灰水粉的墙皮掉了一层又一层,里面露出的红砖也风化了些许,木质的窗栏也被虫蛀了掉着木屑。一下雨,家里就开始下小雨,门口的泥场地就泥泞不堪了,水干了,生满绿色的青苔。但是那些年却是可能也是我这辈子最快乐的时光吧。那时候房子破,空间小,但是农村里有空闲时光的日子,七大姑八大姨来串门,围着一张小桌,都支不开手了(就跟大民他们吃饭一样),旁边的灶台里哔哔啵啵的柴火声,伴着家里长假里短,伴着爸爸和伯伯姑父们举杯侃人生的声音,我只顾和姐姐哥
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洋子用一场偶然的恶作剧,打入了母亲的秘密盒子,从而揭开了一段欠缺沟通的三代家庭关系。这部电视剧以一种幽默的方式呈现出了家庭中的问题,让观众在欢笑中感受家庭的温暖。